Aged hardwood makes a new board obvious
Cutting a damaged board out and fitting a new one is a craft problem with a known answer. Making the new board disappear is the part that takes judgement, because the floor around it has spent years changing colour. Light does most of it. Red oak ambers, white oak warms, and the boards under a rug or a sofa have aged at a different rate from the boards beside the window. A brand new board of the same species from the same mill, stained with the same can, will read lighter than the floor it sits in. So we match to the aged floor rather than to the original specification: sample the tone in the area we are repairing, mix to that, and where the difference cannot be closed we say so before the board comes out rather than after it goes in.



